Kikoriki are making a movie! And not just a movie, but a whole collection of several short films. The program includes action and comedy, science fiction and fantasy, musical and silent films. As well as elves, fairies, ancient prophecies, world evil, Pin Bond and robot droids.

The Making of In Harm's Way (1965)

Jenna von Oÿ takes viewers on a behind-the-scenes look at Disney's A Goofy Movie.

Making-of featurette for 'The Howling' (1981)

A behind-the-scenes look at the creation of "Blind Target", Jesus Franco's story of a woman who becomes a celebrity in America with her exposure of the corruption in her home country, only to be taken prisoner by the same people she tried to bring down when she returns there. Includes interviews with the director Jess Franco, as well as footage of all the work that went into the film.

Join host Leonard Maltin as he explores the early life of John Wayne (born as Marion Michael Morrison) as a college football star. After a chance meeting with film legend John Ford, Wayne exchanged his cleats for spurs and a cowboy hat and the rest was movie history.

Documentary about the scam performed by Ismael Prego (Wismichu) at the Sitges Festival with the screening of the video "Bocadillo" and directed by Carlos Padial dealing with the reactions of the public and the media before the event.

Animation pioneer Evelyn Lambart recalls arriving at the NFB in the 1940s, her celebrated collaborations with Norman McLaren and her approach to her solo work.

Monique Fortier was one of the few women to make her way in the male world of the NFB in the 1950s. But make her way she did. Beginning as a secretary, she graduated to editing and in 1963 she became the first francophone woman to direct her own film, À l'heure de la décolonisation. Her NFB colleague Anne Claire Poirier would make her first film the same year. Fortier subsequently returned to editing, quietly labouring at the Steenbeck, shaping films that helped define Direct Cinema.

Jacques Drouin's artistic trajectory is closely tied to the Alexeïeff-Parker pinscreen. No other filmmaker has employed the device with such dedication since Alexeïeff himself, who created the design in 1931. Consisting of a perforated board with 240,000 adjustable pins, the pinscreen can be manipulated to create evocative moving images.